Vaal Hazak Fang+ x2, Great Girros Fang+ x5, Great Girros Hood+ x3, Bird Wyvern Gem x1 Monster Bone+ x2, Jyuratodus Fang x4, Coral Crystal x3, Gaju Whisker x3Įlder Dragon Blood x3, Jyuratodus Fin+ 圆, Jyuratodus Fang+ x5 Wyvern Gem x1ĭiablos Fang x2, Great Girros Fang x3, Great Girros Hood x2, Paralysis Sac x2 Legiana Wing x3, Freezer Sac x4, Daora Claw+ x3, Novacrystal 圆 Xeno’jiiva Horn x2, Nergigante Horn+ x5, Nergigante Talon x5, Nergigante Gem x1 Hammer Trees DefenderĮarth Crystal x2, Machalite Ore x2, Iron Ore x 5Ĭarbalite Ore x8, Dragonite Ore x5, Dragonvein Crystal x2Įlder Dragon Blood x2, Fucium Ore x13, Carbalite Ore x20, Firecell Stone x1 This guide will provide all of the strongest craftable Hammers and their resource trees as well as the various attacks that can be performed along with insight of what to expect from using it. Skilfully directed by James Larking and dramatically lit by Tim Speechly, this was riveting theatre.The Hammer is a heavy hitting blunt weapon that can knock over monsters and open them up to heavier slam attacks which allows excellent mobility with the only drawback of being unable to cut monster tails.Ī devastating weapon against monsters with its heavy blunt damage that stuns or knocks them over while pummeling them relentlessly, breaking their horns and thick armor plates. It raises moral and ethical issues that are both sensitive and emotive that divide public opinion and, indeed, the audience as we are invited to give our verdict at the end of the play. The whole subject of euthanasia is highly controversial, as recent high-profile news events have proved. There is also good support from Simon Murray, Mary Lincoln and Shaun Morton. Royce Mills as the Judge has the unenviable task of keeping Highwood in check as he challenges the whole British legal system and is in danger of being found guilty of contempt of court.Ĭarol Starks convincingly plays the distraught mother Jean who hides a dark secret and is desperate to support her husband, and their love for each other is palpable as they are forced to make life-changing decisions.ĭavid Michael does a fine job as the affable solicitor trying to guide and cajole Highwood throughout the trial. The cross examining is electrifying, like two boxers sparring with each other with Conti at one moment assured and confident and then breaking down into tears as the horrific, harrowing details of the baby’s death are painstakingly revealed by the prosecution. Highwood hopes that the jury will find him guilty of the lesser charge of manslaughter but the shrewd prosecuting Queen’s Counsel, the excellent Elizabeth Payne, is a perfect foil for Highwood’s controversial defence and is determined to convince the jury that the only possible verdict is murder.

This is a captivating theatrical device that draws you into the action of the play. Janet Bird’s impressive set design faithfully recreates the interior of a Crown Court and it soon becomes clear that we, the audience, are in fact the jury. Highwood pleads guilty to the murder and acts as litigant-in-person, defending himself, which, many would say, was either a courageous or a dangerous decision. James Highwood, superbly played by Tom Conti, is a successful crusading television journalist who is accused of murdering his severely-disabled and brain-damaged nine-month-old baby. Terence Frisby’s gripping courtroom drama Rough Justice is an intriguing and thought-provoking play.

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